It is not so much the kinds of fashion he aims to capture in his nets, but the bodies of women, voracious or rejecting. It’s certain that Hans Feurer is an explorer of nature, who seeks to liberate the coveted. Also, we recall photos where silhouettes are submerged in landscapes kissed by harsh sunlight or sunsets. We remember models like Iman or Sayoko full of life, captured in images he created for Kenzo. Hans Feurer has gotten us used to giving us an iconography to the names in fashion, he has successfully lassoed. It is also no-man’s land, in which he since leaving Swiss art school decades ago searches endlessly for borders. Images are not arrested but suspended, expressions are captured reflecting seriousness or affront. Clothes and skin are light as the feathers of a bird with impressive panache. Since the early 1960’s, this man with a passion for Africa ans travel pursues the idea of fashion photography as the tracking of a wild animal. Heads of blazing hair, Feurer never wishing to extinguish them. Models, famous or unknownare devilishly sexy. The girls he captures have smouldering looks.
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